Every corner of Crow’s Requiem is built on atmosphere, and sound is a big part of that. The Pandemicpunk vibe we’re creating isn’t clean or futuristic — it’s shaped by decades of recycling, from objects to clothes, supplies. And sounds. We wanted songs and moods to feel lived in, sometimes too lived in, frayed and decayed by the endless waves of illness and quarantine.

We’re lucky to have Gil Gregorio as the composer bringing this to life. His music sets the tone for the Collectors’ journey — sometimes tense and mechanical, sometimes fragile and human.

Here's Gil telling more about how he connected with the team (through a great DM!), our initial inspirations, and the incredible pool of references he brought to the table:

🚨 Listen to the initial Playlist @ Spotify

A selection curated by Sid Osna and Gustavo Rolanski at the start of the project, meant to inspire the Soundtrack Composer — the spot eventually occupied by Gil.

💚 Listen to Gil’s Inspirations

Gil also shared a personal playlist of the sounds and artists inspiring his work on Crow’s Requiem. It’s a window into the DNA of the soundtrack.

🚛 Play, Wishlist, Meet Us

The music is only one part of the journey. You can already playtest our prototype, and don’t forget to wishlist Crow’s Requiem on Steam.

If you’re in São Paulo this October, stop by BGS 2025 to play the demo in person. Shortly after, it will also be available on Steam for everyone to try out.